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"How Nice That I Could Love Someone"

Pre-recorded talk | CASES

This video is not available any longer from this site; check the author’s personal websites for any additional postings;  the paper will appear in the RP2020 Proceedings in December

Author

Frederieke Jansen (NL)

Frederieke Jansen is a master graduate at Utrecht University, The Netherlands. Jansen studied New Media and Digital Culture with a special interest in the philosophy of media society, social impact of Artificial Intelligence, cognitive processing and semiotics, and media persuasion techniques enhancing critical thinking concerning these topics. At the moment, Jansen is developing media literacy lessons for secondary school students and teaching playful courses concerning media influences in Fake News, Cybercrime, Money Muling, Filter bubbles and other media literacy related topics.

Full Title

"How Nice That I Could Love Someone" -- AI Replacing Deceased Loved Ones in Film

Abstract

Research shows that media have a big impact in the way humans think about life. We mostly learn how to handle social situations using our own and others’ life-experiences, however, film and other media also plays a big role. This thesis investigates the way film informs our ideas about the future. Especially about a future where a loved one is replaced by something non-human which looks and acts human. Science fiction movies present fantastical situations in which humans interact with aliens, robots, holograms, artificial intelligence and so on. Nowadays, interacting with an artificial human looking entity is no longer a distant future. What happens to our understanding of life, ourselves and our relationships with others when we are able to build intimate relationships with an artificial intelligent human looking entity? And what happens when this entity is an exact replica of a deceased partner? This thesis examines the composition of the film Marjorie Prime (2017) and the episode Be Right Back (2013) from the series Black Mirror (Charlie Brooker) using a neoformalistic approach and rhetorical method of analysis to find out how these films are set up to convey a message and affect the spectator. This thesis argues that film can trigger critical thinking about human-machine relationships and can contribute to robophilosophy by analyzing film as virtual laboratories.