VR - the culture of (non)participation?
Anna Nacher
Social AI
Anja Bechmann
The Seams of Urban Intelligence: APIs as Infrastructures for Developers and Citizens
Gabriel Pereira, Christoph Raetzsch, Lasse S. Vestergaard
Who’s Agency? Emancipatory, Empowering Processes and Ethical Dilemmas in Participatory art Projects
Line Marie Bruun Jespersen & Signe Brink Wehl
Re-envisioning the City through Pop-up Street Galleries
Minna Valjakka, Art history and Asian Studies, University of Helsinki
#VærkDinVerden
Amalie Frederiksen & Charlotte Bagger Brandt, Råderum
Young people navigating musical lives in formal and non-formal acting spaces - viewing cultural participation through musical agency
Anna Kuoppamäki & Fanny Vilmilä
The Portuguese Film Plan: a case of cultural and educational policy
Anna Isabel Soares & Raquel Pacheco
Frilagret – in which ways does a municipal youth culture house in Gothenburg city challenge cultural policy administration in Sweden?
Sofia Lindström & Emma Brattgård
Chewing and Pooing: The digestive system as a metaphor for practice-research in participatory contexts
Panel by Sophie Hope, Anthony Schrag & Becky Shaw
Emergence in musical performance – how to crack the creative code..?
Dan Lund Hvidtfeldt
Posthuman creativity – reopening the ‘circuits of authorship’ once again
Jan Løhmann Stephensen
Participatory Sound Art: Technologies, Medialities, Politics
Vadim Keylin
The risk of tokenism in participatory art
Margerita Pulè
Can You Find a Little Drummer Boy? The need for spectacle in publicly-funded contemporary art
Dr Judith Stewart and Lawrence Bradby
Managing Difference from Otherness: the experience of the Access Culture Association in Portugal
Lorena Sancho Querol
Regional art in Japan: cross-disciplinary approaches to participatory art in rural areas
Panel by Gunhild Borggreen, Anemone Platz & Emil Bach Sørensen
Public Participation and Agency in Art Museums
Emilie Sitzia
The good, the bad and the ugly…
Collaborative, affective and performative participation in the art museum
Dorthe Juul Rugaard, Kathrine Pedersen, Camilla Jalving
The Emancipated Spectator at the Ignorant Art Museum
Karen Grøn
Affective Publics: News Storytelling, Sentiment and Twitter
Social media excite the public imagination with their potential for democratization, newer forms of news storytelling and social change. Digitally aided waves of civil unrest invite speculation on whether social media make or break the pace of revolutionary movements. Focusing on the Arab Spring and Occupy, this talk begins by examining the role and meaning of social media, and Twitter specifically, for the social networks driving these movements. Data from recent studies undertaken at the University of Illinois at Chicago are presented in explicating the relevance of the platform for contemporary news storytelling, framing, and gatekeeping. The talk concludes with an emphasis on the concept of affective publics, and how these public formations sustain all forms of mobilization, including recent waves of populism.